Graphic Designer

Camera Shots and Angles (Making an Animated Movie)

Great cinematography is definitely difficult to achieve. Great and convincing cinematography in three dimensional is difficult.

Within this publish I’ll review the difficulties of utilizing a video camera in three dimensional, along with the camera rigs I made use of in my film and my personal favorite lens choices. I’ll also review camera shots and angles, explaining the idea in graphic designer.

Discover the shocking truth and studying.

Why do challenging?

Inside a three dimensional atmosphere (the three dimensional software) there aren’t any restrictions, unlike real existence where you stand restricted through the laws and regulations of physics or through the budget you film has. Developing a flying helicopter camera shot or perhaps a slow dolly shot costs exactly the same in three dimensional, and that may be a problem.

When first understanding the abilities of the three dimensional software, many beginners have a tendency to add too much using the camera. Either utilizing an extravagant boom shot where it’s not needed, or creating shots that might be impossible to attain in tangible existence.

Graphic Designer

Graphic Designer

However! – in ways – is that not what animation is perfect for?

Well, yeah, for those who have a very good reason for this, sure, add too much. But going insane just since you can isn’t the proper way to do it.

You have to remember the audience can be used to seeing in in a certain style. Knowing fundamental rules of cinematography and comprehending the purposes of different contacts is crucial to creating a great animated film.

The Two camera rigs I personally use

1. Maya Camera rig (from

The main reason I believe this rig is great, despite getting many buttons and controls, is graphic designer simulates a genuine dolly/boom rig. This will be significant because when you’re animating mildly complex shots it’s best to have something the causes you the truth is. With this particular rig, if you are carrying out a big crane shot, you’ll have that natural arc within the movement from the camera that is because the boom as being a physical fishing rod.


Download the rig.

2. Maya camera

This is actually the default Maya camera that anybody can make. The benefit of by using their simple rig is you can examine your camera lens and move about, much like within the perspective view. This is ideal for whenever you just try to determine your shot and choose a great direction for the camera position and lens.

My lens choices

In Maya, you identify the lens within the ‘Focal Length’ attribute. If you are acquainted with contacts then you need to have the ability to determine the best dimensions for the different needs, but should you prefer a little guidance, this is a quick reference:

15-18 focal length: Employed for very wide shots, landscape, creating shots, creating deep perspective.

35-55 focal length: Employed for close ups, medium shots, whenever you want to show a personality doing something without having to be too intrusive.

80 – 200 focal length: Accustomed to flatten the perspective, or a quick response shots.


If you wish to find out more about character animation in Maya, take a look at our Maya Animation Course.